Portfolio reviews<\/strong><\/h2><\/div><\/div>Ulteriore\u2019s portfolio reviews offer an opportunity to receive direct feedback on your work and your photographic practice.<\/p>\n
You\u2019ll have the opportunity to present your portfolio, talk about your project and receive feedback and advice from photo editors, curators and other professionals in the field.<\/p>\n
The sessions take place over three weekends. Each session lasts 20 minutes and takes place online. You can choose one or more reviewers, gaining different perspectives on your work.<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Calendar<\/h2><\/div><\/div><\/div>28\u201329 November<\/strong>
\n10 am \u2013 1 pm<\/p><\/h5><\/div>Available reviewers<\/p>\n<\/div>
BENEDETTA DONATO<\/b>
\n<\/span>ROBERTA FUORVIA<\/b>
\n<\/span>CLAUDIA PALADINI<\/b>
\n<\/b>DARIO VEREB<\/b> (28.11 only)
\n<\/b>NICCOLO HEBEL<\/b>
\n<\/span><\/p>\n<\/div><\/div><\/div>12\u201313 December<\/strong>
\n10 am \u2013 1 pm<\/p><\/h5><\/div>Available reviewers<\/p>\n<\/div>
ROBERTA FUORVIA<\/b>
\nSARA EMMA CERVO<\/b>
\nCLAUDIA PALADINI<\/b>
\n<\/b>ROSY SANTELLA
\nTEODORA MALAVENDA<\/b><\/span><\/p>\n<\/div><\/div><\/div>19\u201320 December
\n<\/strong>10 am \u2013 1 pm
\n<\/strong><\/p><\/h5><\/div>Available reviewers<\/p>\n<\/div>
ROBERTA FUORVIA<\/b>
\nDARIO VER\u00c9B<\/b> (20.12 only)<\/b>
\n<\/b>NICCOL\u00d2 H\u00c9BEL
\nTIZIANA FARAONI<\/b><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>How to apply<\/h2><\/div><\/div>The portfolio reviews take place online over three weekends, between 10 am and 1 pm. Each session lasts 20 minutes, and you can choose from a range of reviewers.<\/span><\/p>\nTo take part, email <\/span>portfolioreview@progettoulteriore.com<\/b><\/a>, indicating which reviewers you\u2019d like to meet and your preferred day for each session.<\/span><\/p>\nWe\u2019ll get back to you by email to confirm availability and provide payment details. Your booking is confirmed upon receipt of payment.<\/span><\/p>\nFEES<\/strong><\/p>\n\n- 1 portfolio review (20 minutes): 30 \u20ac<\/strong><\/li>\n
- 2 portfolio reviews (20 minutes each): 50 \u20ac<\/strong><\/li>\n
- 3 portfolio reviews (20 minutes each): 70 \u20ac<\/strong><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
Meet the Reviewers<\/h2><\/div><\/div><\/div>![](\"https:\/\/www.progettoulteriore.com\/wp-content\/uploads\/2026\/10\/B_BenedettaDonato_formato-quadrato_b_w.jpg\" "\\"B_BenedettaDonato_formato")
<\/span><\/div><\/i><\/i><\/span>Benedetta Donato<\/span><\/a><\/h3><\/div>\nIndependent Photography Curator and Critic\u00a0<\/b>
\n<\/b>Curator and photography critic, she handles exhibitions and editorial projects, collaborating with various organizations in the sector. <\/span>Director of the Romano Cagnoni Award and board member of the Romano Cagnoni Foundation. Curator of ARCHIVIOFUTURO \/ Bosca Foundation. Portfolio reviewer and jury member for international events, she is among the nominators for the LOBA \u2013 Leica Oskar Barnack Award. She writes for IL FOTOGRAFO Magazine and STYLE Magazine (RCS Group). <\/span>She is also a member of GRIN \u2013 National Group of Picture Editors.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.progettoulteriore.com\/wp-content\/uploads\/2026\/10\/unnamed-scaled.jpg\")
<\/span><\/div><\/i><\/i><\/span>Claudia Paladini<\/span><\/a><\/h3><\/div>\nPhoto Editor and Production Manager at GOST Books<\/strong>
\nClaudia Paladini, photo editor and production manager for GOST Books since 2015. As freelance she curates photography books, exhibitions, and long-term projects. <\/span>Founded in 2012, GOST Books is an independent visual arts and photography publisher based in London.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.progettoulteriore.com\/wp-content\/uploads\/2026\/10\/Dario-Vereb.jpg\")
<\/span><\/div><\/i><\/i><\/span>Dario Ver\u00e9b<\/span><\/a><\/h3><\/div>\nChief Photo Editor at NZZ am Sonntag<\/b>
\n<\/i><\/b>Dario Ver\u00e9b is Chief Photo Editor of NZZ am Sonntag and Deputy Head of the Photo Desk at Neue Z\u00fcrcher Zeitung in Zurich. He commissions photographers, develops visual concepts and writes about photography. As a curator and workshop host, he works with photographers on editing, sequencing and visibility, with a particular interest in Chinese photography. He was a 2025 GenA Fellow of Asia Society Switzerland.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.progettoulteriore.com\/wp-content\/uploads\/2026\/10\/Niccolo-Hebel.jpg\")
<\/span><\/div><\/i><\/i><\/span>Niccol\u00f2 H\u00e9bel<\/span><\/a><\/h3><\/div>\nArtistic director, curator
\n<\/strong>Curator, artistic director, set designer and producer, Niccol\u00f2 is the co-founder and co-director of Club Mopasa, a cultural centre based in Mexico City. In 2026, he is a guest curator for the FOTOSEPTIEMBRE Biennial, and in 2027 he will serve as co-artistic director of the Rencontres Internationales d\u2019Art Contemporain in Brazzaville. He has collaborated with international institutions and festivals, including Planches Contact and CAMERA Torino. In 2017, he created How Far Now, a participatory project that uses photography as a tool for encounter and dialogue.<\/span><\/p>\n\u00a0<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.progettoulteriore.com\/wp-content\/uploads\/2026\/10\/Roberta_Fuorvia.jpg\")
<\/span><\/div><\/i><\/i><\/span>Roberta Fuorvia<\/span><\/a><\/h3><\/div>\nCurator and Founder of THE DOCKS<\/strong>
\nRoberta Fuorvia is a curator specializing in contemporary photography, exploring the relationship between images, visual culture, and narrative contexts. She is co-founder of THE DOCKS, an association dedicated to promoting photographic events and workshops, and THE DOCKS PUBLISHING, an independent publisher specialising in photographic fanzines. Her first book, Behind the Icons<\/i> (Martin Eden, 2024), represented Campania at the 2025 Turin International Book Fair. She has curated the international Passepartout Photo Prize since 2020 and has collaborated with the Natural History Museum of Oman as an iconographic researcher since 2023.
\n<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>![](\"https:\/\/www.progettoulteriore.com\/wp-content\/uploads\/2026\/10\/Sara_Emma_Cervo.jpg\")
<\/span><\/div><\/i><\/i><\/span>Sara Emma Cervo<\/span><\/a><\/h3><\/div>\nVisual Editor at Vanity Fair<\/strong>
\nAfter graduating in Contemporary Art History, she moved to Milan to study photo editing at CFP Bauer. She is now Visual Editor at Vanity Fair, having previously worked for Cosmopolitan, Gioia, Playboy, The Collectible Dry and Lampoon. She writes about photography for Vanity Fair and updates her Instagram profile, volevofaresololaphotoeditor, less and less frequently. She collects cameras she never uses and buys lots of vintage photographs on eBay.
\n<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
Ulteriore\u2019s portfolio reviews offer an opportunity to receive direct feedback on your work and your photographic practice.<\/p>\n
You\u2019ll have the opportunity to present your portfolio, talk about your project and receive feedback and advice from photo editors, curators and other professionals in the field.<\/p>\n
The sessions take place over three weekends. Each session lasts 20 minutes and takes place online. You can choose one or more reviewers, gaining different perspectives on your work.<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Calendar<\/h2><\/div><\/div><\/div>28\u201329 November<\/strong>
\n10 am \u2013 1 pm<\/p><\/h5><\/div>Available reviewers<\/p>\n<\/div>
BENEDETTA DONATO<\/b>
\n<\/span>ROBERTA FUORVIA<\/b>
\n<\/span>CLAUDIA PALADINI<\/b>
\n<\/b>DARIO VEREB<\/b> (28.11 only)
\n<\/b>NICCOLO HEBEL<\/b>
\n<\/span><\/p>\n<\/div><\/div><\/div>12\u201313 December<\/strong>
\n10 am \u2013 1 pm<\/p><\/h5><\/div>Available reviewers<\/p>\n<\/div>
ROBERTA FUORVIA<\/b>
\nSARA EMMA CERVO<\/b>
\nCLAUDIA PALADINI<\/b>
\n<\/b>ROSY SANTELLA
\nTEODORA MALAVENDA<\/b><\/span><\/p>\n<\/div><\/div><\/div>19\u201320 December
\n<\/strong>10 am \u2013 1 pm
\n<\/strong><\/p><\/h5><\/div>Available reviewers<\/p>\n<\/div>
ROBERTA FUORVIA<\/b>
\nDARIO VER\u00c9B<\/b> (20.12 only)<\/b>
\n<\/b>NICCOL\u00d2 H\u00c9BEL
\nTIZIANA FARAONI<\/b><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>How to apply<\/h2><\/div><\/div>The portfolio reviews take place online over three weekends, between 10 am and 1 pm. Each session lasts 20 minutes, and you can choose from a range of reviewers.<\/span><\/p>\nTo take part, email <\/span>portfolioreview@progettoulteriore.com<\/b><\/a>, indicating which reviewers you\u2019d like to meet and your preferred day for each session.<\/span><\/p>\nWe\u2019ll get back to you by email to confirm availability and provide payment details. Your booking is confirmed upon receipt of payment.<\/span><\/p>\nFEES<\/strong><\/p>\n\n- 1 portfolio review (20 minutes): 30 \u20ac<\/strong><\/li>\n
- 2 portfolio reviews (20 minutes each): 50 \u20ac<\/strong><\/li>\n
- 3 portfolio reviews (20 minutes each): 70 \u20ac<\/strong><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
Meet the Reviewers<\/h2><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Benedetta Donato<\/span><\/a><\/h3><\/div>\nIndependent Photography Curator and Critic\u00a0<\/b>
\n<\/b>Curator and photography critic, she handles exhibitions and editorial projects, collaborating with various organizations in the sector. <\/span>Director of the Romano Cagnoni Award and board member of the Romano Cagnoni Foundation. Curator of ARCHIVIOFUTURO \/ Bosca Foundation. Portfolio reviewer and jury member for international events, she is among the nominators for the LOBA \u2013 Leica Oskar Barnack Award. She writes for IL FOTOGRAFO Magazine and STYLE Magazine (RCS Group). <\/span>She is also a member of GRIN \u2013 National Group of Picture Editors.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Claudia Paladini<\/span><\/a><\/h3><\/div>\nPhoto Editor and Production Manager at GOST Books<\/strong>
\nClaudia Paladini, photo editor and production manager for GOST Books since 2015. As freelance she curates photography books, exhibitions, and long-term projects. <\/span>Founded in 2012, GOST Books is an independent visual arts and photography publisher based in London.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Dario Ver\u00e9b<\/span><\/a><\/h3><\/div>\nChief Photo Editor at NZZ am Sonntag<\/b>
\n<\/i><\/b>Dario Ver\u00e9b is Chief Photo Editor of NZZ am Sonntag and Deputy Head of the Photo Desk at Neue Z\u00fcrcher Zeitung in Zurich. He commissions photographers, develops visual concepts and writes about photography. As a curator and workshop host, he works with photographers on editing, sequencing and visibility, with a particular interest in Chinese photography. He was a 2025 GenA Fellow of Asia Society Switzerland.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Niccol\u00f2 H\u00e9bel<\/span><\/a><\/h3><\/div>\nArtistic director, curator
\n<\/strong>Curator, artistic director, set designer and producer, Niccol\u00f2 is the co-founder and co-director of Club Mopasa, a cultural centre based in Mexico City. In 2026, he is a guest curator for the FOTOSEPTIEMBRE Biennial, and in 2027 he will serve as co-artistic director of the Rencontres Internationales d\u2019Art Contemporain in Brazzaville. He has collaborated with international institutions and festivals, including Planches Contact and CAMERA Torino. In 2017, he created How Far Now, a participatory project that uses photography as a tool for encounter and dialogue.<\/span><\/p>\n\u00a0<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Roberta Fuorvia<\/span><\/a><\/h3><\/div>\nCurator and Founder of THE DOCKS<\/strong>
\nRoberta Fuorvia is a curator specializing in contemporary photography, exploring the relationship between images, visual culture, and narrative contexts. She is co-founder of THE DOCKS, an association dedicated to promoting photographic events and workshops, and THE DOCKS PUBLISHING, an independent publisher specialising in photographic fanzines. Her first book, Behind the Icons<\/i> (Martin Eden, 2024), represented Campania at the 2025 Turin International Book Fair. She has curated the international Passepartout Photo Prize since 2020 and has collaborated with the Natural History Museum of Oman as an iconographic researcher since 2023.
\n<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Sara Emma Cervo<\/span><\/a><\/h3><\/div>\nVisual Editor at Vanity Fair<\/strong>
\nAfter graduating in Contemporary Art History, she moved to Milan to study photo editing at CFP Bauer. She is now Visual Editor at Vanity Fair, having previously worked for Cosmopolitan, Gioia, Playboy, The Collectible Dry and Lampoon. She writes about photography for Vanity Fair and updates her Instagram profile, volevofaresololaphotoeditor, less and less frequently. She collects cameras she never uses and buys lots of vintage photographs on eBay.
\n<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
28\u201329 November<\/strong> Available reviewers<\/p>\n<\/div> BENEDETTA DONATO<\/b> 12\u201313 December<\/strong> Available reviewers<\/p>\n<\/div> ROBERTA FUORVIA<\/b> 19\u201320 December Available reviewers<\/p>\n<\/div> ROBERTA FUORVIA<\/b> The portfolio reviews take place online over three weekends, between 10 am and 1 pm. Each session lasts 20 minutes, and you can choose from a range of reviewers.<\/span><\/p>\n To take part, email <\/span>portfolioreview@progettoulteriore.com<\/b><\/a>, indicating which reviewers you\u2019d like to meet and your preferred day for each session.<\/span><\/p>\n We\u2019ll get back to you by email to confirm availability and provide payment details. Your booking is confirmed upon receipt of payment.<\/span><\/p>\n FEES<\/strong><\/p>\n Independent Photography Curator and Critic\u00a0<\/b> Photo Editor and Production Manager at GOST Books<\/strong> Chief Photo Editor at NZZ am Sonntag<\/b> Artistic director, curator \u00a0<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div> Curator and Founder of THE DOCKS<\/strong> Visual Editor at Vanity Fair<\/strong>
\n10 am \u2013 1 pm<\/p><\/h5><\/div>
\n<\/span>ROBERTA FUORVIA<\/b>
\n<\/span>CLAUDIA PALADINI<\/b>
\n<\/b>DARIO VEREB<\/b> (28.11 only)
\n<\/b>NICCOLO HEBEL<\/b>
\n<\/span><\/p>\n<\/div><\/div><\/div>
\n10 am \u2013 1 pm<\/p><\/h5><\/div>
\nSARA EMMA CERVO<\/b>
\nCLAUDIA PALADINI<\/b>
\n<\/b>ROSY SANTELLA
\nTEODORA MALAVENDA<\/b><\/span><\/p>\n<\/div><\/div><\/div>
\n<\/strong>10 am \u2013 1 pm
\n<\/strong><\/p><\/h5><\/div>
\nDARIO VER\u00c9B<\/b> (20.12 only)<\/b>
\n<\/b>NICCOL\u00d2 H\u00c9BEL
\nTIZIANA FARAONI<\/b><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>How to apply<\/h2><\/div>
\n
Meet the Reviewers<\/h2><\/div><\/div><\/div>
<\/span><\/div><\/i><\/i><\/span>Benedetta Donato<\/span><\/a><\/h3><\/div>
\n<\/b>Curator and photography critic, she handles exhibitions and editorial projects, collaborating with various organizations in the sector. <\/span>Director of the Romano Cagnoni Award and board member of the Romano Cagnoni Foundation. Curator of ARCHIVIOFUTURO \/ Bosca Foundation. Portfolio reviewer and jury member for international events, she is among the nominators for the LOBA \u2013 Leica Oskar Barnack Award. She writes for IL FOTOGRAFO Magazine and STYLE Magazine (RCS Group). <\/span>She is also a member of GRIN \u2013 National Group of Picture Editors.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Claudia Paladini<\/span><\/a><\/h3><\/div>
\nClaudia Paladini, photo editor and production manager for GOST Books since 2015. As freelance she curates photography books, exhibitions, and long-term projects. <\/span>Founded in 2012, GOST Books is an independent visual arts and photography publisher based in London.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Dario Ver\u00e9b<\/span><\/a><\/h3><\/div>
\n<\/i><\/b>Dario Ver\u00e9b is Chief Photo Editor of NZZ am Sonntag and Deputy Head of the Photo Desk at Neue Z\u00fcrcher Zeitung in Zurich. He commissions photographers, develops visual concepts and writes about photography. As a curator and workshop host, he works with photographers on editing, sequencing and visibility, with a particular interest in Chinese photography. He was a 2025 GenA Fellow of Asia Society Switzerland.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Niccol\u00f2 H\u00e9bel<\/span><\/a><\/h3><\/div>
\n<\/strong>Curator, artistic director, set designer and producer, Niccol\u00f2 is the co-founder and co-director of Club Mopasa, a cultural centre based in Mexico City. In 2026, he is a guest curator for the FOTOSEPTIEMBRE Biennial, and in 2027 he will serve as co-artistic director of the Rencontres Internationales d\u2019Art Contemporain in Brazzaville. He has collaborated with international institutions and festivals, including Planches Contact and CAMERA Torino. In 2017, he created How Far Now, a participatory project that uses photography as a tool for encounter and dialogue.<\/span><\/p>\n<\/span><\/div><\/i><\/i><\/span>Roberta Fuorvia<\/span><\/a><\/h3><\/div>
\nRoberta Fuorvia is a curator specializing in contemporary photography, exploring the relationship between images, visual culture, and narrative contexts. She is co-founder of THE DOCKS, an association dedicated to promoting photographic events and workshops, and THE DOCKS PUBLISHING, an independent publisher specialising in photographic fanzines. Her first book, Behind the Icons<\/i> (Martin Eden, 2024), represented Campania at the 2025 Turin International Book Fair. She has curated the international Passepartout Photo Prize since 2020 and has collaborated with the Natural History Museum of Oman as an iconographic researcher since 2023.
\n<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/span><\/div><\/i><\/i><\/span>Sara Emma Cervo<\/span><\/a><\/h3><\/div>
\nAfter graduating in Contemporary Art History, she moved to Milan to study photo editing at CFP Bauer. She is now Visual Editor at Vanity Fair, having previously worked for Cosmopolitan, Gioia, Playboy, The Collectible Dry and Lampoon. She writes about photography for Vanity Fair and updates her Instagram profile, volevofaresololaphotoeditor, less and less frequently. She collects cameras she never uses and buys lots of vintage photographs on eBay.
\n<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
![](\"https:\/\/www.progettoulteriore.com\/wp-content\/uploads\/2026\/10\/Rosy_Santella.jpg\" "\\"Rosy_Santella\\"")
<\/span><\/div>![](\"https:\/\/www.progettoulteriore.com\/wp-content\/uploads\/2026\/10\/Tiziana_Faraoni.jpg\" "\\"Tiziana_Faraoni\\"")
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